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The works of soldier-artist Julian Scott have been acclaimed by historians and art critics alike from the moment the paint was dry.  The reason is a simple one:  authenticity.

Meet Plainfield Civil War Artist Julian Scott

By Robert J. Titterton
From Civil War Times Illustrated  September/October 1991
Published by Cowles History Group
741 Miller Dr. SE (Suite D-2)
Leesburg, VA 20171
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THE AMERICAN CIVIL WAR was the first large armed conflict to be substantially documented through photography.  Traveling with the armies or working in their studios, photographers turned out riveting views of persons and places caught up in the colossal struggle.  There was, however, something missing from the great body of Civil War camera images.  Mid-19th century photographic technology was unequal to the task of fully depicting war.  In an age predating telephoto lenses and split-second shutter speeds, pictures of soldiers in pitched battle or on the march were impossible.  Photographers were limited to recording smoldering remains of ruined buildings, lifeless bodies and wooden groups of proud posed men.

To be fair, even with modern cameras and film, the photograph would have been no match for the magic conveyed through the hand of a painter or sketcher. An artist could unveil from a scene the smoke of a thousand rifles and the dust kicked up by twice as many boots.  Only then could the faces of individuals, uprooted from comfortable lives as jewelers and farmers to serve their causes, be seen.

Being an artist was not, in itself, enough to assure an authentic portrayal of war. Lacking the perspective of participants, many artists produced romanticized, and hence false images of the Civil War.  Men who had marched under the blazing Southern sun, fought other Americans and eaten wormy hardtack drew their pictures from personal experience.  Their legacy is a powerful record of events they not only witnessed but lived.  One such soldier-artist was Julian Scott, whose military career is overshadowed only by his art.

Scott's military experience began in spring 1861.  As one Southern state after another seceded from the Union, President Abraham Lincoln issued a call for Federal troops.  Scott, a slightly-built 15-year-old from Johnson, in Vermont's Lamoille County , longed to go off to war.  His great-grandfather had organized the militia of Bennington, Vermont, to fight for American independence in the Revolutionary War, and had won a lieutenant's commission.  His grandfather had sailed across lake Champlain September 1814 to battle the British at Plattsburgh, New York, during the War of 1812.  Scott's older brother, Lucien, was already riding the spirited Morgans of the 1st Vermont Cavalry and writing home about his adventures.

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